Sight and SoundThis is monthly Brithish film magazine which is published by the British Film Institute(BMI). It was first publisghed in 1932, however was taken over by the BFI in 1934. The magazine reviews all films films each month, including those with a narrow art house release (independent films) as opposed to the more mainstream focus of its compitition. This is beneficial for the magazine as it appeals to a range of people, not only those interested in the mainstream films. Sight and Sound differs from most of its competitors however, in the layout and the tone of address. The tradition of the magazine keeps in touch with its formal tone and in depth analysis. For a younger audience this might seem tedious and boring however people who like reading about films in great depth prefer this magazine. It also offers a full cast and crew credit list for each film reviewed. They also offer different breakout sections such as a synopsis, cast and review on themes etc, which demonstrates the depth of analysis. Sight and Sound is also seen as a specialist magazine for those interested in art house films, which audiences are unable to get from other film magazines. The magazine also compiles a list of the top ten films of all time every year with top film professionals across t5he world giving their opinion. The magazine has however come into critsism in the past for elitism, puritanism and upper- middle class snobbery.
Empire is a British film magazine published by Bauer Consumer Media. It has been incirculation since July 1989 and is the biggest selling film magazine in Britain consistantly outselling its nearest market rival 'Total Film' by over two to one and is also published in Austrailia, Turkey, Russia and Portugal. Like 'Total Film' it features news and reviews on mainstream and Hollywood films as well as featuring future realeses. In common with most British film magazines, Empire is populist in both approach and coverage unlike less irreverent and more 'serious' magazines such as 'Sight and Sound'. It reviews both mainstream and art house films, however feature articles only focus on mainstream films. It also includes a unique feature called 'Classic Scene' in which theypick out themost iconic scene from each film they review. The magazine focuses on a male audience as it was found that three quarters 'Empire's audience are male, hence the informal address and the features included such as games etc. Empire also has an online subscription to which the audiencecan read news and reviews online. Also like 'Total Fim' magazinefeatures a glossy effect and a powerful front cover with large font which coneys the powerful and masculine tone of the magazine.

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The semiotics of this poster follow that of a traditional gangster film , similar to that of 'The Godfather' in style and format. We see the three main characters standing in an intimidating stance with a strong italian american appeal, (slick black hair, sharp suits) instantly suggesting the mafia theme to the audience. This is supported by the dark background which adds suspense and mystery complemented by the dark low key lighting over the characters faces. Furthermore the dead body underneath the eery subway adds more suspense and a dark mobster undertone to the film which can be understood from the semiotics of the poster. This is a technique which has been often replicated among gangster films as seen below. 









